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Jana Natya Manch (People's Theatre Front; Janam for short) is a New Delhi-based amateur theatre company specializing in left-wing street theatre in Hindi. It was founded in 1973 by a group of Delhi's radical theatre amateurs, who sought to take theatre to the people. Theatre personality Safdar Hashmi is the best-known figure associated with the troupe. Janam collects donations after each performance and funds its work in this manner. As a matter of policy, the group does not accept donations or grants from state, corporate or NGO agencies. The company does street as well as open-air proscenium performances, and also occasionally organises talks, discussions, workshops, exhibitions, film shows, etc. The company has performed its plays in festivals organised by Prithvi Theatre (Mumbai), National School of Drama (New Delhi), Sahitya Kala Parishad (New Delhi), Natrang Pratishthan (New Delhi), Sangeet Natak Akademi (Kerala), Natya Akademi (West Bengal) and others. So far this group of self-trained actors has done over 8,500 performances of nearly 80-odd street plays and 16 proscenium plays in about 140 cities in India. The company has performed outside India once, in spring 2007, when they toured the United States, performing, lecturing and conducting workshops on several university and colleges campuses. == Early history == Janam was founded in 1973 by a group of Delhi’s left-wing theatre amateurs, who sought to take theatre to the people. It was inspired by the spirit of the Indian People’s Theatre Association (IPTA). Its early plays, though initially designed for the proscenium, were performed on makeshift stages and chaupals in the big and small towns and villages of North India. It also experimented with street skits. Janam’s street theatre journey began in October 1978. The first play ''Machine'' with lyrical, stylized dialogues depicted the exploitation of industrial labour. Janam has played a significant role in popularizing street theatre as a form of voicing anger and public opinion. It has done plays on price rise, elections, communalism, economic policy, unemployment, trade union rights, globalization, women’s rights, education system, etc. Some of its best-known street plays are ''Hatyare'', ''Samrath ko Nahi Dosh Gosain'', ''Aurat'', ''Raja ka Baja'', ''Apaharan Bhaichare Ka'', ''Halla Bol'', ''Mat Banto Insaan Ko'', ''Sangharsh Karenge Jitenge'', ''Andhera Aaftaab Mangega'', ''Jinhe Yakeen Nahin Tha'', ''Aartanaad'', ''Rahul Boxer'', ''Nahin Qabul'', ''Voh Bol Uthi'' and ''Yeh Dil Mange More Guruji''. This form of theatre has become a vital cultural tool for workers, revolutionaries and social activists. Street theater addresses topical events and social phenomenon and takes them straight to peoples’ places of work and residence. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jana Natya Manch」の詳細全文を読む スポンサード リンク
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